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In ‘LA BOHÈME’ bie baldwin el bio starts a purposeful and resolute, material, spiritual and artistic confrontation with one of the most outstanding and universal musical compositions and lyrics of our world history. A musical composition and lyric by one of his spiritual and artistic mentors, CHARLES AZNAVOUR.

However, idiosyncratic as always, he tackels his mentor by throwing an imaginary bomb into the original composition/lyric.

With the remaining shatters he creates a number of time and space transcending paintings in which he enters into an artistic and spiritual fight with his mentor.

In the 24 space paintings based on ‘LA BOHÈME’ bie baldwin el bio externalizes, in a - bio » « centric - way, both CHARLES AZNAVOUR’s fight as an artistthe inner struggle of the artist MICHELANGELO DA CARAVAGGIO as a pioneering artist with his alter-ego Michelangelo Merisi  rightly or wrongly accused and persecuted for murder ánd the heartbreaking dilemma of the beheading, a composer, a poet and a human, for the rights of his beloved Armenian people on the one hand and the inner fight of the Parisian artist on the other hand. An inner fight the maestro (Charles Aznavour) describes in a magnificent way in one of the most beautiful songs (read: poems) from French music and poetry. of st John the Baptist.