In ‘THE BEHEADING OF ST JOHN THE BAPTIST’ bie baldwin el bio starts a purposeful and resolute, material, spiritual and artistic confrontation with one of the most outstanding and universal paintings of our world history. A painting by one of his spiritual and artistic mentors, MICHELANGELO DA CARAVAGGIO.
However, idiosyncratic as always, he tackels his mentor by throwing an imaginary bomb into the original painting.
With the remaining shatters he creates a number of time and space transcending paintings in which he enters into an artistic and spiritual fight with his mentor.
In the 24 space paintings based on ‘THE BEHEADING OF ST JOHN THE BAPTIST’ (1608)
bie baldwin el bio externalizes, in a -