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In ‘LES DEMOISELLES D’AVIGNON’ bie baldwin el bio starts a purposeful and resolute, material, spiritual and artistic confrontation with one of the most outstanding and uni-versal paintings of our world history. A painting by one of his spiritual and artistic mentors, PABLO PICASSO.

However, idiosyncratic as always, he tackels his mentor by throwing an imaginary bomb into the original painting.

With the remaining shatters he creates a number of time and space transcending paintings in which he enters into an artistic and spiritual fight with his mentor.

In the 24 space paintings based on ‘LES DEMOISELLES D’AVIGNON’ (1907) bie baldwin el bio externalizes, in a - bio » « centric - way, both the inner struggle of the artist PABLO PICASSO as a pioneering genius (it took until 1920 for ‘LES DEMOISELLES D’AVIGNON’ [1907] to be recognized as a full-fledged and revolutionary masterpiece) - ánd the inner conflicts of the prostitute as a pariah of society.